Uhura’s look to the side as she takes command, while constrained by the cheap animation, is rather fabulous. The story may be ridiculous and the situation tied up in ideas about gender and sex that literally go back to ancient Greece, but it’s a rather wonderful moment all the same. Uhura, the highest-ranking female on the ship, takes command. With the men trapped in a future episode of Red Dwarf, Lt. Fontana. The episode “The Lorelai Signal” itself is, it has to be said, not much less sexist than “Turnabout Intruder,” focusing on a race of space sirens who call to and then drain the life force from men (no word on whether homosexual female crew members are affected because it’s still only 1973 and the show will not yet acknowledge their existence). ![]() Kirk finishes the series by lamenting that “her life could have been as rich as any woman’s” - but not, apparently, as rich as any man’s.įortunately, the next on screen portrayal of a woman in command of a starship is more positive, and it is perhaps not a coincidence that it occurs in The Animated Series, which was executive produced by a woman, D. Granted, she was supposed to be insane when she swapped bodies with Captain Kirk so that she could command a starship, but the problems with her command are clearly indicated in the dialogue to be at least partly due to her gender, and the nature of her “insanity,” largely expressed in excessive emotion and what Doctor McCoy refers to outright as “hysteria,” a word that comes from the ancient Greek word for “womb,” clearly relates her inability to command to her femininity.
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